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UPDATE: OCTOBER 2020

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HELLO TO ALL OUR FRIENDS It's October... and well we are counting down until the Album "Broke In Bridge City" will be released. One of the things a lot of folks do not understand.  When it comes to chart placement, booking live shows... everything is connected. For instance… many of our musician friends play live concerts… whether it's in bars or festivals.  The one thing that helps those of us who play fairs and festivals is chart placement. And the only way to get chart placement, is to sell the minimum CDs to make a specific charts threshold.  This has to happen within the 1st week of a release. What many do not realize is that spotify streams and youtube are exponentially harder to help you reach that goal. Physical product is the easiest way to help an artist reach that goal.  For some genres in the right week a 1000 units of presale can help an artist make it to a chart. Once that artist makes it to a chart it helps them with better bookings.  It helps the...
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TIP OF THE WEEK #03 - WORKING WITH LIVE MUSICIANS CONVERTED TO STUDIO MUSICIANS

WORKING WITH PERFORMANCE MUSICIANS CONVERTED TO STUDIO MUSICIANS As you may be aware of now,  the John-Paul Jones Group is a band that consists of a revolving door of musicians who contribute at one time or another to either live performance, rehearsals or recording sessions. When working within the context of a studio, its important to understand the dynamic the self-produced solo artist has with schedules and musicians.  The first thing, to remember, NEVER ask your fellow musicians to play on your record for free in your studio... its something that should not happen unless you are all going to share in the expenses and profits of the project. If its not in your budget to pay cash, then trade studio time or something tangible with them.  I personally live in an area that musicians are traditionally not paid for such activity.  Most of the musicians I know hold day jobs.  We are what I call "semi-pro"  meaning some of us make a partial living...
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